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Who's Afraid of Contemporary Art?
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About the Author
Kyung An is Assistant Curator at the Guggenheim Museum, New York. She holds a PhD from the Courtauld Institute of Art, University of London.Jessica Cerasi is Exhibitions Manager at Carroll / Fletcher gallery; she was Assistant Curator of the 20th Biennale of Sydney in 2016 and previously Curatorial Assistant at the Hayward Gallery, London.
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Product details
Hardcover: 144 pages
Publisher: Thames & Hudson; 1 edition (March 21, 2017)
Language: English
ISBN-10: 9780500292747
ISBN-13: 978-0500292747
ASIN: 0500292744
Product Dimensions:
6 x 0.8 x 8.1 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#272,894 in Books (See Top 100 in Books)
The book is a short and fast read but the conciseness is its virtue. The book is divided into short chapters addressing various question and topics and while each chapter are only a few pages in length don’t let the length deceive you. The authors have beautifully condensed their explanations and thoughts into very easily digestible and articulate prose. The book succeeds as a guidebook to steer newcomers to art who have the interest and open mindedness to engage. It suggests how to approach the art itself as well as to introduce and suggest ways to interact with the main players that inhabit the “serious†parts of the art ecosystem (i.e. the rather insular one of “serious†museums, galleries, and artists for lack of a better term). The book posits interesting questions that face the entire world with the advent of technology that is changing how we all live and communicated. Finally, it is also a beautiful homage to the importance of artists and of art generally.The book provides one of the best two page histories of art that I've read. Under the chapter titled “Bringing You Up to Speed†it explains how the notion of art has evolved over time thus providing the readers with the contextual parameters of today’s contemporary art.I appreciated how the authors suggest that the term contemporary art “might be thought of as a thematic categorization rather than a purely temporal one†and goes further to describe the various practices found in art today. Within these discussions, the authors provide some examples of artworks and these descriptions, while short (a few lines to a few paragraphs), explain the works eloquently and beautifully ruminate on the works of Joseph Kosuth, Tino Sehgal, Carl Andre, Felix Gonzalez-Torres, Martin Creed, Santiago Sierra, and Hito Steyerl (to name just a few). Beautifully written, these descriptions will only enhance the interest for those willing to engage with this art that deals with contemporary culture and issues.And that is the point, if you are a person that will just roll his or her eyes when confronted with a difficult work and not be willing to engage then no book or experience will convince you otherwise and that is totally fine. The art world is a big place and types of art are varied and no one is telling you what to like. This book makes no judgment as to that but suggests that everyone has their own criteria. In fact, what is contemporary art is a question most gallerists and art people hate to hear and in many cases cause them to roll their eyes just as the person asking the question would. I suppose that serious art galleries have their target audience and their defined role (e.g. not that of an educator to the masses something museums are doing much more creatively), regardless, if there is a willingness to engage from both parties then opinions and answer can differ and the discussion can move forward. The authors suggest taking a leap of faith and to try to accept that what you see “is art†and not to get bogged down or dismiss the question as a philosophical one that might preclude or preempt any meaningful engagement with the art itself. In this regard, the mission of the book is to help the reader not dismiss the works and to instead prompt the reader to ask what the art does for you. I suppose this is all that art can ask of you.As in all contemporary life, with the advent of the Internet and our increased inter-connectedness, the last ten years has seen fundamental and colossal changes in how we live and communicate. This has had an undoubtedly profound impact. As an owner of a contemporary art gallery, I expect this historically insular and closed off art world to be less insular with this information flow and how we engage and communicate … it can be negative but can also be positive. Regardless, as the book posits, we are just beginning to engage with the Internet in art, be it in the artist’s practice but also in the machinations of the art world ecosystem. It can be an interesting and important journey and this book is a perfect starting off point for those willing to participate.
Over all, it has good information on contemporary art. However, I found the several of the contributors writings out of touch, as if they were from an idealized parallel universe. Some writings are from the view of plutarchs. So, heed what you read and check their back ground. Enjoy!
Some interesting short pieces. Not really a book, not even really a book of essays. But a nice diversion for those with an intermediate knowledge of art.
on time delivery. Good value.
A fun intro to contemporary art -- especially love the questions. It also makes a great gift!!
I don't know much about art or the art world, but got this book as a gift from my sister who works at a gallery. It covers lots of artists alive today, but also talks about galleries and museums. Learned a lot reading this and would highly recommend to anyone who wants a guide to the art world of today that's easy to read and fun!
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