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Product details
File Size: 105027 KB
Print Length: 632 pages
Page Numbers Source ISBN: 0190621877
Publisher: Oxford University Press; 1 edition (August 16, 2016)
Publication Date: August 16, 2016
Language: English
ASIN: B01K7TJ20C
Text-to-Speech:
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Amazon Best Sellers Rank:
#146,663 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
The National Portrait Gallery is a London museum near Trafalgar Square, which is home to thousands of portraits, with only a percentage on display at any one time. It's a wonderful place to visit, and in addition to the permanent displays of works of art, there are frequent special programs on individuals or groups important in British history. Author Simon Schama, in his new book, "The Face of Britain: A History of the Nation Through Its Portraits", is a wonderful look at selected works of art and he tells the stories of the people in the pictures. His are not conventional biographies, but rather short examinations of the influence of society on the subject and the influence by the subject on British society. Oh, and "portraits" can be done by paint, photography, or sculpture.All of the 35 or so sections are strong, but maybe the most interesting are the section on how photographer Yousef Karsh snapped his famous picture of Winston Churchill, glowering at the camera and the poor family of George III.Taken in Ottawa, Canada during a state visit in 1941, Churchill had just addressed the Canadian Parliament and was in no mood to have his picture taken. Karsh was in the ante-room with him and asked Churchill to put the cigar he was smoking in an ashtray. When Churchill wouldn't do it, Karsh marched over to the Prime Minister and snatched the cigar out of his mouth. The resulting picture of a mad Churchill became an iconic image of the man.Schama writes about George III and his son, the Prince of Wales, the future George IV. The prince, one of 15 children of George III and his wife, Charlotte, lived a desalute life with mistresses and illegitimate children. Father and son, constantly at odds, are represented in the Portrait Gallery with a series of portraits.Another beautifully done section is titled "The Faceless of Britain". These were the Great War soldiers hideously disfigured as a result of battle wounds. Schama writes how doctors and and artists worked together to give these "faceless" some semblance of features. Taking one soldier, Private Walter Ashworth, Schama takes the reader through the surgeries needed to give this man a face and a future.Simon Schama's book is like a series of short stories about some of the lives behind the faces in the portraits. It's a marvelous book. I have the Kindle copy and while there are pictures with the text, there are some pictures written about that aren't shown. But I think they'd be available on the National Portrait Gallery's website.
Superb in every way. Even if you have not visited the National Portrait Gallery, this trip through it is as revelatory of history as it is of art. Th writing is an unadulterated joy in its elegance and its occasional straight from the hip colloquialisms. This is much more than a coffee table book; it is one that can be read and reread endlessly. A treasure
Schama's writing style is idiosyncratic, and neatly reflects the people of the portraits and their loves, tragedies, and complexities, with a distinctive quirkiness that can be droll, jazzy, sly, or sympathetic. He's never dry, always vivid, and not condescending.As an American, one not hugely familiar with all aspects of British history, there were many new characters to meet, and to study in the future. The anecdotes about Winston Churchill are likely to be the most quotable, but the final chapter ("The Faceless of Britain") is devastating - the intertwined story of Private Water Ashworth, surgeon Harold Gillies, and artist Henry Tonks is unlikely to be forgotten by anyone who reads it.
Super enjoyable, essayistic look at British history through its portraits. I don't love Schama, but this will be a fun read for lovers of history, anglophiles and even art history buffs. Good stuff.
Schama's books are rarely less than stimulating and always instructive. He uses portraiture, whether painted or photographed, as a basis for delving into British history. While some of the chapters are more interesting than others, as a whole, the book was worth every minute I spent reading it.
Read the first chapter and was completely addicted
Good
buy all his books before you retire and you'll never be bored again.
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