Rabu, 19 November 2014

Get Free Ebook Rihanna (Hip-Hop Biographies)

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Rihanna (Hip-Hop Biographies)

Rihanna (Hip-Hop Biographies)


Rihanna (Hip-Hop Biographies)


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Rihanna (Hip-Hop Biographies)

From the Inside Flap

She was a little girl born on an island in the Caribbean Sea. She dreamed of singing for more than just her schoolmates and friends. She sold clothing in a street stall. But one day she would be famous enough to help children who were poor. Now she's a megastar. Rihanna has been on television, in movies, and splashed across the covers of popular magazines.

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Product details

Series: Hip-Hop Biographies

Paperback: 48 pages

Publisher: Saddleback Educational Publishing, Inc.; Student edition (January 1, 2013)

Language: English

ISBN-10: 9781622500116

ISBN-13: 978-1622500116

ASIN: 1622500113

Product Dimensions:

7.5 x 0.2 x 9.8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#999,817 in Books (See Top 100 in Books)

This series is aimed at African-American youth. While the graphics and images are geared to students 6th-8th grade, they are an easy read for students as early as 3rd. As a whole, these books do a fair job providing an overview of the lives of varies artists currently in the hip-hop industry but, as hip-hop tends to be an edgy musical style, these books reflect the glorification of a "gangster" or at least rough lifestyle. What I found particularly disturbing for Rihanna's story is that it includes details about her experiences with domestic violence. The book even discusses Chris Brown's sentencing, time on probation and response to the publicizing of his battery of Rihanna. While I find it is important to discuss domestic violence, I'm don't find this the best place or best way to discuss Rihanna's experiences. It seems this was a time to tell students about Rihanna's career and rise to stardom. To tell about the mark she will leave on history. Specific details about Chris Brown and his feelings about being a batterer seem like they belong in his story, not hers. I am in no way attempting to speak for Rihanna but I feel it is re-victimizing.

I purchased this book for my middle school kids. They like it, so something must be workin'

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Jumat, 10 Oktober 2014

PDF Download Here We Are: Notes for Living on Planet Earth, by Oliver Jeffers

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Here We Are: Notes for Living on Planet Earth, by Oliver Jeffers

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Here We Are: Notes for Living on Planet Earth, by Oliver Jeffers

Review

-"Moments of human intimacy jostle with scenes that inspire cosmic awe, and the broad diversity of Jeffers's candy-colored humans...underscores the twin messages that 'You're never alone on Earth'and that we're all in this together."--Publisher's Weekly (starred review)-"A sweet and tender distillation of what every Earthling needs to know and might well spend a lifetime striving to achieve. A must-purchase for new parent shelves." --School Library Journal-"From the skies to the animal kingdom to the people of the world and lots of other beautifully rendered examples of life on Earth, Here We Are carries a simple message: Be kind." --NPR-"A true work of art."--Buzzfeed-"A must-have book for parents."--Gambit-"A celebration of people all shapes and sizes, and of the beauty and mystery of our Earth."--Booklist-“Mr. Jeffers captures the love and the poignancy in what is styled as an introduction to a newcomer… Rich colors, witty pictures and a kind sensibility make this book, published late last year, a nice bedtime choice for readers ages 2-6.”--The Wall Street Journal-"...a beautifully illustrated guide to living on Earth and being a good person." --Brightly-"Something of a user's guide to being alive and to life on Earth, Jeffers brilliantly uses pen and paintbrush to explore profound and puzzling questions, establishing straight off that the wisdom imparted here is wisdom for us all."--Chicago Tribune-[Here We Are] is a tour through the land, the sea, the sky, our bodies; dioramas of our wild diversity....[Jeffers] is the master of capturing the joy in our differences."--New York Times Book Review

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About the Author

Oliver Jeffers (www.oliverjeffersworld.com) makes art and tells stories. His books include How to Catch a Star; Lost and Found, which was the recipient of the prestigious Nestle Children's Book Prize Gold Award in the U.K. and was later adapted into an award-winning animated film; and the New York Times bestsellers Stuck; This Moose Belongs to Me; and Once Upon an Alphabet. He is also, of course, the illustrator of the #1 smash hits The Day the Crayons Quit and The Day the Crayons Came Home, both written by Drew Daywalt. His fine art is world-renowned and his dip-art exhibitions are a much sought-after event. Originally from Belfast, Northern Ireland, Oliver now lives and works in Brooklyn, New York, with his wife and young son. Follow him @OliverJeffers.

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Product details

Age Range: 3 - 7 years

Grade Level: Preschool - 2

Lexile Measure: AD530L (What's this?)

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literalContent: 'A Lexile® measure represents either an individual's reading ability (a Lexile reader measure) or the complexity of a text (a Lexile text measure). Lexile measures range from below 200L for early readers and text to above 1600L for advanced readers and materials. When used together Lexile measure help a reader find books at an appropriate level of challenge, and determine how well that reader will likely comprehend a text. When a Lexile text measure matches a Lexile reader measure, this is called a "targeted" reading experience. The reader will likely encounter some level of difficulty with the text, but not enough to get frustrated. This is the best way to grow as a reader - with text that's not too hard but not too easy.',

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Hardcover: 48 pages

Publisher: Philomel Books (November 14, 2017)

Language: English

ISBN-10: 0399167897

ISBN-13: 978-0399167898

Product Dimensions:

9.8 x 0.4 x 11.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

181 customer reviews

Amazon Best Sellers Rank:

#2,059 in Books (See Top 100 in Books)

First of all, I am a huge fan of Oliver Jeffer's books. I love them all. That said, I love this one the best. My kids are grown but I still buy children's books because I love them and like to have the best ones around for my grandchildren who also love his books.Here We Are is a beautiful, sensitive and fun book. Perfect as a gift for new parents and anyone who cares about the earth and it's inhabitants, especially in these uncertain times.

This is an absolutely beautiful book, with fantastic messages worked into some big ideas. Bought this for my 2.5 year old twins who are obsessed with the idea of light during the day and dark at night, we talk about the sun, moon and stars often.I will be purchasing some of these for gifts as well!Looking forward to reading this one over and over again!!!

A gorgeous book full of wisdoms we want to share with our next generation (and peers). This book has some fun facts about our planet and a touch of magic that comes with sharing those facts with an infant or child. "You may not be able to speak yet either, even though your head is filled with questions. Be patient, you'll learn how to use words soon enough."

A beautiful message and beautiful illustrations. New parents will enjoy reading this to their babies. It's a great baby gift.Note: This book is clearly intended to be read to new babies (one line says something like "you can't speak yet"), but my 3-year-old and 8-year-old love it anyway (and unfortunately, I did not know about it when they were babies, so it's not just nostalgia that's got them hooked).

I'm not really sure who would be the correct target audience for this book... maybe for very young children being read to by parents? It's written from the perspective of a caregiver to a newborn, but the concepts are more suited to older children. The pictures are also more detail oriented and muted (for older children). It's definitely not a good fit for my four-year old, but it's also a bit personal for me to regift to someone who has a young baby.

I know a lot of people love this book and think it has great messages in it. I think it’s weird. Is it told from the perspective of a parent to a baby? Concepts way over a baby’s head. Is it told from an alien to a human? Or an alien to its own baby that was left on our planet? I guess I’m looking too much into it. Maybe I should just focus on the messages - we are all different but we should take care of animals and the planet. Maybe if I had a newborn I’d feel different.

I sent this to the father of a new baby boy. It will be perfect for daddy and son, but big sister will enjoy it too and be able to read it soon. The sentiments ring true with an adult and the information is realistic for the child. What a lovely, lovely book.

The story, concept and illustrations are beautiful in this book. I bought it for myself and to share with my graphic design students. One of the ideas that Oliver Jeffers shares in his interviews is that he makes picture books. He does not call them children's books and I believe that anyone can enjoy this book. I like to look at or read a book at the end of the day to wind down and this book certainly fits in that category. Enjoy the images.

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Minggu, 05 Oktober 2014

Download Dying City, by Christopher Shinn

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Dying City, by Christopher Shinn

Dying City, by Christopher Shinn


Dying City, by Christopher Shinn


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Dying City, by Christopher Shinn

About the Author

Christopher Shinn was born in Hartford, CT and lives in New York. His plays include "Where Do We Live," "Other People," "What Didn't Happen" and "On the Mountain." His work has been produced around the world. He is a winner of an OBIE in Playwriting and the Robert S. Chesney Award. He teaches playwriting at the New School.

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Product details

Paperback: 96 pages

Publisher: Theatre Communications Group; First Edition edition (May 1, 2008)

Language: English

ISBN-10: 1559363290

ISBN-13: 978-1559363297

Product Dimensions:

5.4 x 0.3 x 8.5 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#1,085,053 in Books (See Top 100 in Books)

Shinn, a playwright completely unknown to me before seeing his name pop up on the 'Pulitzer Prize for Drama' Wikipedia page, writes with a keen ear for natural dialogue.His characters are clumsy with their words, which, yes, makes for a tougher and possibly more frustrating read. But when one goes the extra mile to read the dialogue as though it was being spoken by a person on a stage, you really do get a sense of how well crafted this play is. A deserving Pulitzer finalist.Having twins played by the same actor really puts an emphasis on how minimal the play is as a whole, with hardly any (written) light or sound changes throughout the production. He also keeps stage direction very minimal, choosing to focus on the words and not the physical actions of each character.One of the better plays I've read--very easy, very simple, and yet touching, painful. Shinn has all the workings of a great dramatist; Dying City is step number one.

A play with a wealth of opportunities for actors to deep-dive emotionally. So much personal history and herstory is carried onstage. I can only imagine that if properly cast and staged this experience would draw its audience into its characters' backstories.

Subtle and honest. Two great roles. Fairly easy production values.

I loved it. Absolutely enjoyed reading it, even though it was for a project, I actually enjoyed reading this. I definitely recommend it.

I thought that this play was defiantly worth the read. Its a bit choppy at times but Mr. Shinn defiantly captures the awkwardness and suffering in this play. If you like older plays like Tennessee Williams and August Wilson you will like Dying City. It is a sad play and the playwright meant for it to be. Its not fluffy and light. the more you read and study it the more it will grow on you. Don't just read it for the sake of reading something. Read it with the idea to study a good and challenging piece of theatre

I saw this play and then read it to see if I missed something.For some reason, this new style of play is being embraced, most likely because there is nothing better coming out in the old style.The plot involves a woman whose husband served in Iraq and his twin brother, obviously we are supposed to be intrigued by the duality of the male character, or least how fast the costume changes can take place.Unfortunately, there is very little plot, the characters drone on about issues and incidents that are patched together randomly and that have no significance nor bearing on real life.Yes, yes...Iraq affected us all, lives were ruined, blah, blah, blah...this play has so little to say about it and is so lacking in originality you wonder if the author's Uncle is a Broadway producer.The characters are not likable and the whole experience of watching the play is like visiting the dysfunctional family next door and being forced to watch their family dynamics for almost two hours.You wouldn't do that would you?So why would you PAY to do that?If this is the future of play writing and Pulitzer nominations (you heard me) than Broadway might as well shut down...or stick to juke-box musicals.

As I am writing my thesis about Pulitzer Prize winning drama, I am reading a lot of modern American Drama, mostly PP winners and nominees. "Dying City" has truly become one of my contemporary favorites. The play is simple, yet compelling, dealing with grief and the loss of love on many different levels. I can highly recommend it to theater groups as a new production and feel it is a great example of writing that is actually meant for the stage and does not hope to be turned into a movie...

The only conceavable excuse for a play this poor is that it it is part of some new "style" that no one told me about. I am perhaps picking up on a new style with recetly published plays that seem to fall under the heading of "instant messageing" plays. They are not labled as such, perhpas, I am ahead of our theatrical historians? Even if it is a new style, this play is really bad. The "construct" had potential. Identical twins played by the same actor in two diffrent times might could have been a wonderfull tool to explore misscomunication and the diffrent perceptions if identical events. Instead, the author (not playwright) seem to have lost interesten in there own work half way through and the play just introduced more than it ever dared to close up or even flesh out. I could write a review much longer than the play on how bad this play was, but I will not.

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Senin, 08 September 2014

PDF Download Ladurée Chocolate, by Vincent Lemains

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Ladurée Chocolate, by Vincent Lemains

Review

In this new book, Ladurée offers the details of this history along with lush images of chocolate creations — and recipes — which may well stir more than your appetite. (Matt Gurry MetroSource Magazine, October/November 2014)Some gifts you long to keep for yourself. If you can't make it to France, these beautiful hardcovers with metallic edges and rich photos will take you there. They go beyond the recipes to the storied history and production of some of the country's most beloved desserts. only the real thing could be sweeter. (The New York Times, November 29, 2014)

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About the Author

Vincent Lemain has been the Chef of Pastry Creation at Ladurée since April 2011. Twice a year, following the seasons and like fashion designers do, he imagines new flavors and colors for the religieuses, the Saint-Honorés, the macarons and shares them with all the customers of Ladurée the world over.Julien Christophe has been in charge of the Ladurée chocolate laboratory since October 2007. In charge of a team of ten people, he has been creating chocolates inspired by the seasons, including of course special creations for Valentine's Day and Easter. He has worked at Ladurée for the past eleven years.Noëlle Hoeppe is a photographer with a diploma from the Ecole des Arts Appliqués Duperré and New York University. She has exhibited in New York, Paris, London and Tokyo. She now lives in France where she is creating a new series of photographs of still lifes.

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Product details

Hardcover: 344 pages

Publisher: Hachette Livre Editions Du Chene; Box edition (October 10, 2014)

Language: English

ISBN-10: 2812310715

ISBN-13: 978-2812310713

Product Dimensions:

8.9 x 1.8 x 8.9 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#776,403 in Books (See Top 100 in Books)

it is printed nicely,but most part of book writes Laduree's history with few recipes of chocolate.it's a not high cose-effective book, I don't recommend this book.

Beatiful book.mMakes a great gift for a chocolate lover.

First off I have to say I own both the sweet and savory Laduree books. This book, is beautiful. From the white embossed book cover, the gold and blue box, to the delicate print on the tissue paper it's packed in...just a well done piece of art. if you are looking on a book about chocolate, it's history, and it's relation to Laduree, and not recipes, this is the book for you. I however was looking for more a recipe heavy book. The book itself only has about 30 recipes, and almost half of them are just like temper chocolate, add nuts/fruit/etc and make into a coin, tuile, or bar. You'd think the few recipes would be amazing or unique that you've never seen before. Their information is ok, they have a "how to temper chocolate"!but what this book really is a picture boor of Laduree products.Again, this would be a great coffee table book It's just not heat I was expecting or was looking for. I'd get the Laduree sweet or savory books instead. Those are filled with both pictures and recipes.

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Selasa, 02 September 2014

Download PDF Micronesia: The Marshall Islands: Travel Adventures

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Micronesia: The Marshall Islands: Travel Adventures

Product details

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}

Audible Audiobook

Listening Length: 50 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hunter Publishing, Inc.

Audible.com Release Date: November 4, 2015

Whispersync for Voice: Ready

Language: English

ASIN: B017JC64FG

Amazon Best Sellers Rank:

This kindle book is fair, some of the info is o.k,, though dated. It also has at least one outright mistake, it incorrectly states that the residents of Bikini had gone back to live on that island, but they have not. Also there were some issues with the typeset, transferring it over to kindle. For example, when I first read "Ger many" I had to pause for a moment and then figured out it was saying the country of "Germany."

There is really very little content to review. Disappointing to spend $5 on a book and get less information than five minutes on the internet. The limited information included seems out of date.

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Minggu, 31 Agustus 2014

Free Ebook No Immediate Danger: Volume One of Carbon Ideologies

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No Immediate Danger: Volume One of Carbon Ideologies

Review

Praise for No Immediate Danger:“Carbon Ideologies is an almanac of global energy use . . . a travelogue to natural landscapes riven by energy production . . . a compassionate work of anthropology that tries to make sense of man’s inability to weigh future cataclysm against short-term comfort . . . one of the most honest books yet written on climate change.” —Nathaniel Rich, The Atlantic“No Immediate Danger tussles with the comprehension-defying nature of climate change . . . terrifying insights are to be found . . . It embodies the confusion of our current moment, the insidiousness of disbelief, and the mania-inducing reality that our greatest threat is the hardest to act upon. It is a feverish, sprawling archive of who we are, and what we’ve wrought.” —The Washington Post“In the face of complex, contested data, Vollmann is a diligent and perceptive guide. He’s also deeply mindful of those who’ve been sacrificed in the name of profits and political expediency. Amid the Trump administration’s rollbacks of environment protections, these are incontestably important books.” —The San Francisco Chronicle“Vollmann’s many fans . . . will not be disappointed . . . he packs research and voice into his impassioned works . . . Reading these two books did have an effect on me; I became even more conscious of the resources I waste in my own life.” —John Schwartz, The New York Times Book Review   “One of the enjoyable things about this massive work is the way Vollmann employs irony, and that bluntest of irony called sarcasm, throughout the volume. He can be quite humorous. You might even call this the Infinite Jest of climate books . . . there’s something admirable, even noble, about the sheer time and effort—and sheer humanity—that went into these volumes.” —The Baffler   “Equal parts gonzo journalism, hand-wringing confessional, and one hot mess . . . the books document Vollmann’s quest to understand how capitalism, consumerism, and fossil fuels are ruining the planet.” —Sierra“The best part of the books [are] the conversations Vollmann had during his travels, the sensitive histories he gives of the places he visited, and the moral impressions those conversations and places have made on him. It’s these parts that made Carbon Ideologies a unique, lasting, definitive contribution to the global warming literature.” —The Humanist   “An elegy to our damned epoch that’s also a work of enlightenment and education . . . the book is a performance of the vexations involved in trying to understand our energy reality . . . [Vollmann’s] project—not unlike that of his historical fiction—is to show with utmost fidelity what it was like to be a human involved in terrible things.” —The Los Angeles Review of Books   “[Provides] profound insights into both Japanese society and universal themes regarding the human response to and preparation for major disasters and tragedies.” —The International Examiner“Vigilant in his precision, open-mindedness, and candor, Vollmann takes on global warming . . . [His] careful descriptions, touching humility, molten irony, and rueful wit, combined with his addressing readers in ‘the hot dark future,’ makes this compendium of statistics, oral history, and reportage elucidating, compelling, and profoundly disquieting.” —ALA Booklist (starred)“[A] rewarding, impeccably researched narrative . . . Vollmann apologizes to the future that we’ve ruined, charting how our choices of energy sources made the planet scarcely inhabitable.” —Kirkus Reviews

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About the Author

William T. Vollmann is the author of ten novels, including Europe Central, which won the National Book Award. He has also written four collections of stories, including The Atlas, which won the PEN Center USA West Award for Fiction, a memoir, and six works of nonfiction, including Rising Up and Rising Down and Imperial, both of which were finalists for the National Book Critics Circle Award. He is the recipient of a Whiting Writers Award and the Strauss Living Award from the American Academy of Arts and Letters. His journalism and fiction have been published in The New Yorker, Harpers, Esquire, Granta, and many other publications.

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Product details

Series: Carbon Ideologies (Book 1)

Hardcover: 624 pages

Publisher: Viking; 1st Edition edition (April 10, 2018)

Language: English

ISBN-10: 0399563490

ISBN-13: 978-0399563492

Product Dimensions:

6.5 x 1.9 x 9.6 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#69,155 in Books (See Top 100 in Books)

I love Vollmann's writing, particularly the novels but also Rising Up and Rising Down, so I was disappointed in this, the first volume of a two volume work on the damage we are doing to our world with our energy production. The first 200 pages here, a "Primer" on the different energy schemes, was excellent, vintage Vollmann. But the rest of this volume, on nuclear, is primarily a 300 page description of Vollmann wandering around the area of the Fukushima disaster evacuation zones alone with occasional side treks to Hanford and such, with Vollman recording every reading he took with a "frisker" scintillation counter.The vast majority of these hundreds and hundreds of readings are remarkably low and I'm not sure what Volmann's point is with them. They were boring as hell and I can't see they served any purpose. Added to this is that in the area of nuclear energy, Vollman's science is very very poor. He confuses terms and seems to not understand how radioactive decay works in terms of the harm it causes. For example, it seems he confuses the particles ejected from a decay with the radioactive material itself. In the end, he convinces that the Fukushima disaster was very damaging long term and was caused by mankind's hubris with the risks but in the meantime, I could not wait until it was over. I am however looking forward to reading the second volume on carbon based technologies as the Primer convinced me he is on more solid ground in that area.

On p. 3, Vollmann says about the world in which we all live and whosenatural wealth humanity is presently squandering away:"Nothing can be done to save it; therefore, nothing needs to bedone." Had Vollmann followed his own logic, he would not havewritten his two books. Why did he write them anyway? Becausehe "felt ashamed of doing nothing" (p. 13). I am sure many otherreaders feel the same way. Even if nothing they can do willavert the catastrophe, they do not want to do nothing.Now why does the author consider writing books as doingsomething, isn't writing books business as usual for authors?There is an important difference. As another Amazon reviewersaid, these books are an "act of civil disobedience against thedictates of commercial publishing." Vollman used his socialstanding as a famous writer in order to undermine the restraintshe and other writers meet in the capitalist book publishingenvironment. He went to the limits of what he could get awaywith to write a book which told the truth instead of pleasing thereader.This should give other readers ideas what they can do. Thereader forgive me for boasting what I myself did. Beforeretirement I was University professor. I shared Vollmann's viewsthat our civilization will not survive the environmentaldegradation which humanity is causing. I told my students thatthey were in for a tough ride in the second half of this century,and I could back this up with science. Enrollment was low, butmany of those who came to my classes were grateful because it wasso rare that someone told them the unvarnished truth which was soimportant for them. My colleagues thought I was violatingacademic standards, since I imposed my views on the studentsinstead of letting them come to their own conclusion. Since Iwas tenured, they could not get rid of me easily, therefore theytried to ignore me. I think I used my academic freedom to itslimits just as Vollmann used his reputation as an author to hislimits.Now after my retirement I am paying more attention to my ownlifestyle. I live in voluntary carbon-restrained simplicity. Ido not own a car, I no longer fly, I heat or cool my home only toa minimum, I take vacations locally and try to still have afulfilled life. And indeed, my life is interesting because sucha different lifestyle creates many frictions. The most hurtful wasthat I have to disappoint my children because I am not flying tobe a good grandfather to my grandchildren. My defense is: I amnot telling others what they should be doing, and in return Iresist any social pressures and conventions which force me to dowhat the others are doing.I added my own example to Vollmann's in order to encourage othersto use their own social assets and leverage to undermine theconstraints that keep everybody paralyzed. Because people DOcare whether civilization has a future or not. Vollmann comesclose to saying this on p. 12 when he refuses to condemnindividual actors who have best intentions even while destroyingthe future of their children. This tragic paradox is not createdby individual weakness, but by the capitalist social relationswhich force everyone to continue on the path to overconsumptiondisaster.

I have read all of the work of the astonishingly prolific American author, William T. Vollmann, from the obsessive beauty with which he invokes the lives of junkies, whores and transvestites in San Francisco's Tenderloin District (Whores for Gloria, The Royal Family, my favorite The Rainbow Stories, and volumes more) to his National Book Award winning Europe Central, which follows various character threads around WWII, including a conscienceful Nazi officer tasked with delivering poison gas for the camps and who buries his loads til they become inactive, and the inner monologue of a Leopold Bloom-sounding Dmitri Shostakovich, to his various studies of the downtrodden exploited and suffering (his 7-volume Rising Up and Rising Down, Imperial, Poor People, An Afghan Picture Book,) to his still-in-process Seven Dreams series of novels chronicling all manner and history of the invasion of North America.His latest, Carbon Ideologies, is an exhaustive study of the impact on our world by energy production. A 200pp Primer begins Volume One: No Immediate Danger with numerous tables and incalculably informative studies and data about all the impacts of all the various energies on our planet and societies, then proceeds to focus on Nuclear Energy, specifically the aftermath of the Fukushima disaster. Volume Two: No Good Alternative, which I'm reading now, covers the rest: Coal, Oil, Fracking.This is formidable and essential work, of course to little use to those who won't or more likely can't read it.Vollmann is peerlessly important.

One of the most important books of our time. If Jeff Bezos read this book, he'd realize two things.. We need a base on Mars to assure humanity of its continuation, and if not we need to get up off our collective asses and save our environment. The earth will be just fine without life as know it on the planet.

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Kamis, 21 Agustus 2014

Free Ebook Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)

Free Ebook Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)

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Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)

Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)


Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)


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Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies)

About the Author

Br. Brian Kerns has been a Trappist for sixty years, seventeen years at the Abbey of Gethsemani in Kentucky, and the rest at the Abbey of the Genesee in upper New York state, interrupted by a year at Oxford, North Carolina, and five years at Genesee’s foundation of Novo Mundo in Parana, Brazil. He hails originally from Pottsville, in the anthracite coal region of Pennsylvania. For many years he worked in the library at Genesee and Novo Mundo, and he has interested himself in various translation projects, among which is the life of Dom Gabriel Sortais, abbot general of the Trappists in the early 1960s. That volume has also been published by Cistercian Publications, in the Monastic Wisdom series. The first four volumes of his translation of Gregory the Great’s Moral Reflections on the Book of Job were published by Cistercian Publications between 2014 and 2017.

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Product details

Series: Cistercian Studies (Book 260)

Hardcover: 324 pages

Publisher: Cistercian Publications (April 22, 2019)

Language: English

ISBN-10: 0879072601

ISBN-13: 978-0879072605

Product Dimensions:

5.5 x 1 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#393,247 in Books (See Top 100 in Books)

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Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies) PDF

Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies) PDF
Moral Reflections on the Book of Job, Volume 5: Books 23–27 (Cistercian Studies) PDF